Join us for a book talk with Aaron Betsky, author of Don't Build, Rebuild: The Case for Imaginative Reuse in Architecture.

As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well.

Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.

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About the Author: 

Aaron Betsky is an American critic on art, architecture and design. He was the director of Virginia Tech School of Architecture + Design until early 2022. Trained as an architect and in the humanities at Yale University, he is the author of over a dozen books, including Architecture Matters, Making It Modern, Queer Space, Revelatory Landscapes, and Architecture Must Burn. Director of the 11th Venice Architecture Biennale, he has also been president and Dean of the School of Architecture at Taliesin (originally the Frank Lloyd Wright School of Architecture), director of the Netherlands Architecture Institute (2001-2006) the Cincinnati Art Museum (2006-2014), and was founding Curator of Architecture, Design and Digital Projects at the San Francisco Museum of Modern Art(1995-2001). As an unlicensed architect, he worked for Frank O. Gehry and Associatesand Hodgetts + Fung. In 2003, he co-curated "Scanning: The Aberrant Architectures of Diller + Scofidio" at the Whitney Museum of American Art.